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Summer Courses 2026

"The Short Story in English"

Instructor William Brubacher
Summer 2026
May 4-June 4

ٱپDz:This course introduces the short story as a literary form that radically changed the global literary landscape when it gained popularity during the nineteenth century. The short story’s rise coincides with the global social, cultural, and economic shift known as “modernity.” We will focus on understanding how this literary form mediates the modern world for contemporary readers by tracing its evolution from the 1800s to today, paying particular attention to how the short story transformed during major literary movements such as modernism.

Given the important role that Canadian writers played in the genre’s development during the second half of the 20th century, their work will occupy a significant place in our corpus. Our readings and discussions will focus on the short story’s history, the critical language surrounding short fiction, and prevalent themes and techniques in the assigned stories.

Texts: TBA

Evaluation: TBA


"David Cronenberg"

Instructor Ariel Pickett
Summer 2026
May 4-June 4

Description: David Cronenberg is a central figure in the international recognition of Canadian cinema, perhaps best known for his genre-defining work in the realm of body horror and often referred to as “the King of Venereal Horror” or the “Baron of Blood.” To be sure, films like Videodrome(1983),The Fly (1986), and eXistenZ (1999), more than justify such monikers, but are nonetheless only partially representative of Cronenberg’s oeuvre. From his earliest feature film, Stereo (1969), which imagines telepathic abilities developed through sexual exploration, to his adaptations of great literary works such as William Burroughs’ Naked Lunch (1959), or J.G. Ballard’s (1973), to his universally acclaimed thriller A History of Violence (2005), Cronenberg’s work invites a wide range of critical engagements. An artist most interested in the transformative, rather than degenerative, possibilities of infection and disease, he is perhaps one of the best for thinking through the consequences and possibilities of technological change on the human mind and body. Reading Cronenberg himself as a catalyst for emergent ways of thinking and experiencing the contemporary era, this course explores Cronenberg’s films in relation to non-human perspectives (disease, animal, and artificial intelligences), altered states of being and thinking, mutation and adaptation, and the entanglements of body and technology, alongside texts from contemporary theory.  

Required Texts:dzܰ貹.

Evaluation: participation; group presentations; in-class midterm quiz; final paper or collaborative project.

Format: lecture, screenings, discussion

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