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UID:20251120T041143EST-9077eJ3hPi@132.216.98.100
DTSTAMP:20251120T091143Z
DESCRIPTION:The Doctoral Colloquium is open to all.\n\nDoctoral Colloquium:
  Adalyat Issiyeva\n\n\n	Find out more about attending events at Schulich\n
 \n	\n	Title: ‘Out of Silence: Listening to the (Muted?) Voices of Russia's S
 ubjects’\n\n	 \n\n	Abstract:\n		According to the first - and only - Russian Im
 perial census of 1897\, less than half of the Empire’s population spoke Ru
 ssian as their native language. What was the place of ethnic minorities’ c
 ultures within the ever-growing Russian Empire and later within the tightl
 y controlled Soviet Union? This talk focuses on musical representations of
  Taranchi (or modern Uighur) people in late-Imperial Russia and explores h
 ow their identity was negotiated\, absorbed\, assimilated\, and/or (mis)re
 presented by the dominant culture. I also discuss the life and music of th
 e first Soviet Uighur composer Kuddus Kuzhamiarov (1918–1994) in the conte
 xt of the Soviet Union’s controversial minority relations\, which regularl
 y involved the extensive manipulation of music for political ends.  \n\n	\n
 		\n			\n				\n					\n						\n							\n								\n									\n										\n											\n												 \n											\n										\n									\n								\n							\n						\n					\n				\n			\n		\n\n		Biography:\n\n			Adalyat Issiyev
 a holds a Bachelor of Music from Almaty State Conservatoire and completed 
 master’s and doctoral work at ɬ�﷬. Shifting from an ethnomus
 icological focus (“Philosophical and Religious Aspects of Uighur Muqam”) t
 o western European early music\, her master’s research\, “Ostinato Motets 
 by Josquin des Prez\,” investigated number symbolism and compositional tec
 hniques in renaissance music. She completed her doctoral dissertation titl
 ed “Russian Orientalism: From Ethnography to Art-Song in Russian Nineteent
 h-Century Music.” She has published articles in several journals (Revue du
  Centre Européen d’Etudes Slaves\, Sacre Celebration: Revisiting\, Reflect
 ing\, Revisioning\, and Revue musicale OICRM )\, as well as in a collectio
 n of articles (Rimsky-Korsakov and His World). Her book Representing Russi
 a’s Orient\, published by Oxford University Press\, explores the political
  implications of nineteenth-century Russian art songs with oriental subjec
 ts\, both within and outside the context of Edward Said’s Orientalism.\n\n
 			Her research interests include Russian music\, Orientalism\, nationalism a
 nd identity formation\, (music) ethnography\, Central Asian music and cult
 ure\, and the politics of representation. In addition to her academic life
 \, she has participated in a number of folk festivals\, representing Uighu
 r traditional dance and songs at the Smithsonian Silk Road Festival\, amon
 g others.\n		\n	\n\n	\n		 \n\n
DTSTART:20230120T213000Z
DTEND:20230120T233000Z
LOCATION:C-201\, Strathcona Music Building\, CA\, QC\, Montreal\, H3A 1E3\,
  555 rue Sherbrooke Ouest
SUMMARY:Doctoral Colloquium (Music): Adalyat Issiyeva 
URL:/music/channels/event/doctoral-colloquium-music-ad
 alyat-issiyeva-344984
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