BEGIN:VCALENDAR VERSION:2.0 PRODID:-//132.216.98.100//NONSGML kigkonsult.se iCalcreator 2.20.4// BEGIN:VEVENT UID:20260318T231956EDT-9659d9emzV@132.216.98.100 DTSTAMP:20260319T031956Z DESCRIPTION:Title: Searching for Identity: Brazil\, 1922\, and the Sound of a Nation\n\nLuis Almeida\, current Cello Performance PhD\, winner of the 2025–2026 Research Alive Student Prize\n\n \n\nThe Week of Modern Art\, al so known as the Week of 22\, marked a pivotal moment in Brazilian cultural history. Organized by Mário de Andrade (1883-1945)\, this festival sought to redefine Brazilian artistic identity by blending a modernist artistic vision with national elements. Over three days\, prominent artists like He itor Villa-Lobos (1887-1959) showcased works that sparked debates about tr adition\, modernity\, and cultural independence. This presentation examine s the Week of 22 from a postcolonial perspective\, highlighting its parado xes. While the festival promoted a nationalist agenda\, it paradoxically a ligned Brazilian art with European aesthetics\, revealing enduring colonia l influences.\n\nThe choice of São Paulo as its location underscored the s ocio-economic privileges shaping this artistic movement\, as social and ec onomic elites largely defined the emerging national identity. Figures like Villa-Lobos embodied the contradictions of this period\, initially advanc ing Andrade’s vision but later catering to European tastes to further thei r careers. Additionally\, the exclusion of popular genres like samba and c horo\, representative of Brazil’s black and urban communities\, raises que stions about whose voices were included in defining “Brazilianness.” Despi te its shortcomings\, the Semana de 22 was instrumental in fostering criti cal discourse on Brazilian art and culture. Through analysis of its partic ipants\, outcomes\, and historical context\, this study reveals the comple xities of cultural identity formation in postcolonial Brazil. The Week of 22 stands as a landmark event that continues to inspire reflection on cult ural representation and artistic innovation.\n\nLuis Almeida is a Brazilia n cellist and doctoral candidate whose work brings together artistic resea rch\, performance\, and community engagement. He is the founder of Musical Gym and Cello em Pauta\, long-term initiatives focused on musical practic e and critical discussions of cello performance. He serves as a director o f the International Cello Festival of Canada and the Agassiz Chamber Music Festival\, where he created the Glimpses of the Future competition in sup port of young artists. In 2023\, Luis co-founded the Acalanto Duo\, which is signed to Século 30 Records.\n\n \n\nThe Research Alive Student Prize i s made possible by a generous donation from Ms. Jill de Villafranca and Dr . David Kostiuk.\n\nPresented as part of the Doctoral Colloquium Series.\n \nThis event will be webcast on our YouTube channel.\n DTSTART:20260318T210000Z DTEND:20260318T223000Z LOCATION:Tanna Schulich Hall \, Elizabeth Wirth Music Building\, CA\, QC\, Montreal\, H3A 1E3\, 527 rue Sherbrooke Ouest SUMMARY:Research Alive | Searching for Identity: Brazil\, 1922\, and the So und of a Nation URL:/music/channels/event/research-alive-searching-ide ntity-brazil-1922-and-sound-nation-367389 END:VEVENT END:VCALENDAR