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Collaborations

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Academic Partners

(Canada)
(France)
(France)
(Switzerland)
(Germany)
(France)
(Canada)
(Canada)
(Canada)
(USA)
(USA)
(France)
(Canada)

Private-Sector Partners

(Canada)
(Canada)
(Canada)

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Collaborators

  • Current Collaborators

Martha de Francisco, Sound Recording, Schulich School of Music, ɬÀï·¬

Robert Hasegawa, Music Theory, Schulich School of Music, ɬÀï·¬

Jimmie LeBlanc, Composition, Faculté de musique, ±«²Ô¾±±¹±ð°ù²õ¾±³Ùé de Montréal

Nathalie Hérold, Musicology, SorbonneÌý±«²Ô¾±±¹±ð°ù²õ¾±³Ùé

Roger Reynolds, Composition, University of California San Diego

Caroline Traube, LIAM, Faculté de musique, ±«²Ô¾±±¹±ð°ù²õ¾±³Ùé de Montréal

Zijin Li, Central Conservatory of Music, Beijing

  • Previous Collaborators

Carlos Agon, Représentations Musicales, IRCAM-Centre Pompidou, Paris, France

Federico Avanzini, Department of Information Engineering, University of Padova, Italy

Mondher Ayari, Représentations Musicales, IRCAM-Centre Pompidou, Paris, France

Denys Bouliane, Composition, Schulich School of Music, ɬÀï·¬

Guillaume Bourgogne, Conducting, Schulich School of Music, ɬÀï·¬

Jonas Braasch, School of Architecture, Rensselaer Polytechnic Institute, Troy, NY, USA

Anne Caclin, INSERM, Lyon, France

William Caplin, Music Theory, Schulich School of Music, ɬÀï·¬

Baptiste Caramiaux, Institut des Systèmes Intelligents et de Robotique (ISIR), Sorbonne ±«²Ô¾±±¹±ð°ù²õ¾±³Ùé

Antoine Chaigne, Unité de Mécanique, ENSTA, Palaiseau, France

Jeremy Cooperstock, Shared Reality Lab, Electrical and Computer Engineering, ɬÀï·¬

Victor Cordero, Haute école de musique de Genève, Switzerland

†Eric Daubresse, Haute école de musique de Genève, Switzerland

Philippe Depalle, Music Technology, Schulich School of Music, ɬÀï·¬

Hauke Egermann,ÌýAudio Communication Group, Berlin Institute of Technology, Berlin, Germany

Philippe Esling,ÌýReprésentations Musicales, IRCAM-Centre Pompidou, Paris

Marie-Hélène Giard, INSERM, Lyon, France

Bruno Gingras, Department of Cognitive Biology,ÌýUniversity of Vienna, Austria

Bruno L. Giordano,ÌýMarie Curie FellowÌýat the University of Glasgow

Catherine Guastavino, The Multimodal Interaction Laboratory (MIL), School of Information Studies, ɬÀï·¬

Olivier Houix, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France

Richard Kronland-Martinet, Laboratoire de Mécanique et d'Acoustique, Marseille, France

Daniel Levitin, Psychology Department, ɬÀï·¬

Nicolas Misdariis, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France

Luis Naón, Haute école de musique de Genève, Switzerland

Christoph Neidhöfer, Music Theory, Schulich School of Music, ɬÀï·¬

Jason Noble, Faculté de musique, ±«²Ô¾±±¹±ð°ù²õ¾±³Ùé de Montréal

Marcus Pearce, School of Electronic Engineering and Computer Science, Queen Mary, University of London, UK

Geoffroy Peeters, Analyse-Synthèse, IRCAM-Centre Pompidou, Paris, France

Jean-François Petiot, Ecole Centrale de Nantes, France

John Rea, Composition, Schulich School of Music, ɬÀï·¬

Davide Rocchesso, The Faculty of Arts and Design, The University Iuav of Venice, Italy

Vincent Roussarie, PSA Peugeot-Citroën, Vélizy-Villacoublay, France

René Rusch, Music Theory, Schulich School of Music, ɬÀï·¬ (now at University of Michigan)

Gary Scavone, Music Technology, Schulich School of Music, ɬÀï·¬

Peter Schubert, Music Theory, Schulich School of Music, ɬÀï·¬

Patrick Susini, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France

Etienne Thoret,Ìý±«²Ô¾±±¹±ð°ù²õ¾±³Ùé Aix-Marseille, CNRS, PRISM, LIS & Institute of Language Communication and the Brain (ILCB), Marseille, France

Zachary Wallmark, School of Music and Dance, University of Oregon

Jina Wang, Communications University of China

Jonathan Wild, Music Theory, Schulich School of Music, ɬÀï·¬

Geraint Wiggins, School of Electronic Engineering and Computer Science, Queen Mary, University of London, UK

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