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Title: Searching for Identity: Brazil, 1922, and the Sound of a Nation

Luis Almeida, current Cello Performance PhD, winner of the 2025鈥�2026 Research Alive Student Prize

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The Week of Modern Art, also known as the Week of 22, marked a pivotal moment in Brazilian cultural history. Organized by M谩rio de Andrade (1883-1945), this festival sought to redefine Brazilian artistic identity by blending a modernist artistic vision with national elements. Over three days, prominent artists like Heitor Villa-Lobos (1887-1959) showcased works that sparked debates about tradition, modernity, and cultural independence. This presentation examines the Week of 22 from a postcolonial perspective, highlighting its paradoxes. While the festival promoted a nationalist agenda, it paradoxically aligned Brazilian art with European aesthetics, revealing enduring colonial influences.

The choice of S茫o Paulo as its location underscored the socio-economic privileges shaping this artistic movement, as social and economic elites largely defined the emerging national identity. Figures like Villa-Lobos embodied the contradictions of this period, initially advancing Andrade鈥檚 vision but later catering to European tastes to further their careers. Additionally, the exclusion of popular genres like samba and choro, representative of Brazil鈥檚 black and urban communities, raises questions about whose voices were included in defining 鈥淏razilianness.鈥� Despite its shortcomings, the Semana de 22 was instrumental in fostering critical discourse on Brazilian art and culture. Through analysis of its participants, outcomes, and historical context, this study reveals the complexities of cultural identity formation in postcolonial Brazil. The Week of 22 stands as a landmark event that continues to inspire reflection on cultural representation and artistic innovation.

Luis Almeida听is a Brazilian cellist and doctoral candidate whose work brings together artistic research, performance, and community engagement. He is the founder of Musical Gym and Cello em Pauta, long-term initiatives focused on musical practice and critical discussions of cello performance. He serves as a director of the International Cello Festival of Canada and the Agassiz Chamber Music Festival, where he created the Glimpses of the Future competition in support of young artists. In 2023, Luis co-founded the Acalanto Duo, which is signed to S茅culo 30 Records.

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The Research Alive Student Prize is made possible by a generous donation from Ms. Jill de Villafranca and Dr. David Kostiuk.

Presented as part of the Doctoral Colloquium Series.

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